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On March 17, members of SFU’s 2011 Writer’s Studio joined the Writers Caravan in their first encounter. We spoke about the role of questioning in writing. We began with a working definition of poetry as being “questions without answers,” this taken from the wonderful, “Poetry Everywhere” from T&W Books, 2005.

Off the top we each listed 10 questions, small or serious, rhetorical or otherwise. We shared our favourites and then wrote about a question we heard or liked.  Next we read two poems that use questions in different ways, Robert Frost’s “A Question,” and Charles Bukowski’s “Question and Answer.” Both were written by men, who in their respective eras, were known for realistic depictions of daily life and the use of vernacular. Both men dealt with depression on a personal level, as well. We discussed what makes the poems effective and what links them.

Next we thought of a question we were forbidden or discouraged from asking as a child and we wrote about that without including the question in the piece. The table discussion was animated as we shouted out our guesses, sometimes striking the mark and other times missing. The Writer’s Studio women who joined us were a fantastic group, not just because of their adaptability to writing in our fast-and-furious social setting and their willingness to share their work, but also for their thoughtfulness in what they shared.

Another exercise we did was to write about a question we wish someone would ask us and then answered it for ourselves. What came up more than once: “Can I help?”

On April 15, 2011 The Writer’s Studio is hosting a Writers Caravan reading at Take 5 Cafe on Hastings and Granville as part of the the SFU TWS reading series.  The readings of the works-in-progress begun at this encounter and others begin at 7pm.

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Today, February 23, 2011, we had a writing session with a group of second and third year law students from Professor Margot Young’s course. Many of them had not written since highschool, though all expressed an interest in getting back to it. Their ability to jump into the prompts with us was wonderful. We did a series of prompts related to vocabulary Margot gave me in advance of the meeting. She did not know what I would propose using her fodder and this made for a comedic moment as I mistakenly added a “p” to “regnant lawyering.” For more details about the session and to see what we did with social justice and Paolo Freire’s concept of silence and liberation theology, please click on the Writers Caravan UBC Law Students button. Thanks to all the writers from TWC and UBC!

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Year of the Rabbit

In our first class on February 3, 2011, we explored a poem by Mary Oliver, “The Rabbit,” and wrote about the characteristics of people born under the Chinese zodiac’s  Year of the Rabbit. Mary Bennett of  BC Arts Council supplied the descriptions and posted three of the pieces generated here.

Below are the prompts, which we spent 5-10 minutes on, and did not edit. As with all of our prompts, any form, narrative position or response goes. There is no “wrong.”

It is said that wishes will be fulfilled in the Year of the Rabbit. The Rabbit is the symbol of the Moon so on each of the Full Moon nights of this year, go out into your garden to gaze into the Full Moon and visualize plenty of Moon dust and Moon glow flowing into you, filling your whole body with bright white light and granting you fearlessness, love and courage.  This will not only strengthen your inner “Chi” energy, it will also bring wisdom into your life.

Write: Outside, someone makes a wish.

The Rabbit year is a time to catch your breath and calm your nerves. It is a time for negotiation. Don’t try to force issues, because if you do you will ultimately fail. To gain the greatest benefits from this time, focus on home, family, security, diplomacy, and your relationships with women and children. Make it a goal to create a safe, peaceful lifestyle, so you will be able to calmly deal with any problem that may arise.

Write: About a moment of peace

People born under the Rabbit sign are lucky, private and a bit introverted. They are good teachers, counselors and communicators, but needs their own space. Imagine a person like this and write a paragraph about her/him that “shows” her/his character without “telling” it.

The Rabbit is the symbol of the Moon, while the Peacock is the symbol of the Sun. Together, these two animal signs signify the start of day and night, represent the Yin and Yang of life.

Write: rabbit and peacock, or night and day

Join us for the eighth Thursdays Writing Collective course beginning February 3, 2011. We meet Thursdays from 2-4pm in the Carnegie Centre until June 9. The first two classes will have to do with Chinese New Year and the Year of the Rabbit.  We have been invited to post our written work on the Vancouver Community  Arts Council website. Stay tuned for a more detailed schedule of events.

Thursdays Editing Collective members will be on hand throughout the spring to meet one on one directly after class to offer feedback on work produced in and around class.

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Our last class of 2010 is this week, December 9. We start again on February 3, 2011.

This has been a fruitful, exciting course with many new members of the Collective.

Thank you to the guest authors who visited us, beginning with poet Fiona Lam in October. Fiona took us through revision stages of her own work, candidly sharing her drafts so we could have a sense of her editing process. She also generously brought copies of her second book, Enter the Chrysanthemum, and gave a copy to each participant.

George McWhirter and his wife Angela Mairead Coid visted next. George read pieces focussing on the topic of sound, which we had delved into the previous  preparation. Angela read her own beautiful response piece to Collective member James McLean’s poem “Creative Thinking” about growing up in poverty in Scotland (see below). Before class George presided at the inauguration of the Downtown Eastside Literary Collection in the Carnegie Branch of the Vancouver Public Library.

Cathleen With was our next visitor. She came laden with literary journals and fantastic ideas about writing in the voices of our younger selves, our friends and even people we have not met. Cathleen led us in some writing prompts using Diane Arbus’ work and then graciously donated the photo book to the Collective for our future use. Cathleen also inscribed copies of “Skids” and “Having Faith in the Polar Girls Prison” for our petite Thursdays Writing Collective library.

Our last guest of the year, Michael Turner, discussed his own process of engagement via a three piece text on Malcolm Lowry he wrote for the  Capilano Review. The pieces are based on Lowry’s own syntax and form as in letters published in the Vancouver Sun. Michael introduced us to the concept of “wordsquatting,” or “kicking out the words of the author and putting in your own.” Using a verse from his first book, “Company Town,” we did that with Michael, on the spot. This concept of squatting in someone else’s text is one we will be returning to, not only for its political ramifications, but also because of the incredible creative possibility.

Michael’s writing prompt from his visit, begun with his sentence, “The sun rose like a headless pair of shoulders,” is on his blog dated the day after his visit, Dec 3, 2010.

In February we will be putting into practice the techniques and concepts these amazing writers shared with us. Thursdays Writing Collective is beginning a pilot project, The Writers Caravan, where we invite writing groups from across the city to come to Carnegie and write with us. Each group will then do a public reading with us on a shared slate in their neck of the woods. Our hope is to cross pollinate with other literary communities and to increase the creative options for all involved. In culmination we will be holding a celebratory reading and party in June and producing a publication from this collaboration with the three or four visiting writing groups. If you are interested in participating, please contact Elee Kraljii Gardiner at thursdayseditor@telus.net.

 

AN EARLY LIT FIRE (for James McLean)

By

Angela Mairéad Coid

 

There is no heat in the house.  Coal is rationed by the government and not cheap when your father is “on the sick”. A fire is set in the fireplace, but this altar to warmth won’t be lit before 5 o’clock.  Until then, the adults warm themselves with cups of tea, and the smokers warm their hands around a cigarette’s glow.

There is no heat in the house. In spite of a vest, woollen jumper and cardigan, cold wraps itself around your middle like an overpowering cummerbund. You do your homework with the dog on your feet. The cat warms your mother’s lap. Upstairs in the bedrooms is a quiet place to study, but cold rules there. Children sleep with the pets, and parents have each other. On bitter nights, overcoats are thrown over the beds. Blankets are thin and scarce.

 

In the west, they burn peat cut from the bogs. In Belfast on the Old Lodge Road they say the tenants strip the wood, the banisters and the doors, to burn and chase away the penetrating cold from the dirt-floored, terrace houses.

“Then they do a midnight flit to another house.” Or so the story goes.

 

There is no heat in the house.  We live near the beach in a little town.

Last night there was a terrible storm. My eldest married sister brings news of bounty on the beach. Coal from the shifting cargo of colliers has washed up.

The women grab their shopping bags and the children old school bags. We pass the neighbours’ houses as if taking a healthy walk to the seashore, dogs delirious in the wind from the Lough. The golden sand has patches of black.  We collect as many nuggets as we can respectably carry.  Tomorrow it might be washed back out to sea, but tonight the fire will be lit early.

 

Heat in the house.

 

 

***

Angela Mairéad Coid was born and educated In Northern Ireland, and has published in Ireland and Canada. Her work has most recently appeared in Canadian Women Studies: Women of Ireland, Boyne Berries, Ireland and in The Antigonish Review, who kindly nominated that story for the 2009 Journey Prize.

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During the cast and crew screening of the Memory Festival’s “Rewind: Memory on Tape” (click above for details) we received good news for three Thursdays writers: their one-sentence memories of Vancouver have been chosen as winners in Geist’s competition.

 

Joan Morelli, Anne Hopkinson and Beth Buchanan wrote lovely memories that will be printed and exhibited outside the exhibition hall at the Roundhouse Community Centre.

 

Come see the collection of sentences and the videos from Rewind: Memory on Tape inside the exhibition hall Nov 10-19.

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Elee Kraljii Gardiner and guest author Michael Turner are hosting an evening of social writing with members of Thursdays Writing Collective as part of the Heart of the City Festival on November 4th, 2010. All writers and non-writers, jokers, thinkers and passersby are welcome.

 

Join us for an evening of creative liberation!

 

Write to the City: Adventures in Social Writing

Thursday, November 4, 2010

8:30-10pm, Brickhouse Bar, 730 Main St.

Entry is free, everyone welcome!

Numbers, acronyms, forms: how can we repurpose these constraints and social controls into an act of creative liberation? In 90 minutes of writing prompts, pencil-chewing and laughter we will push the phrases and numbers that determine how we navigate Vancouver into a creative realm.

The evening, held in a community atmosphere at the Brickhouse Bar, will question the right to move freely through the city and explore the barriers we have come to accept. Do we recognize to what extent we are determined by constraints, architecture and the urban plan? How can we leverage restrictive regulations to open creative discovery and change the way we experience civic space? Pencils and paper will be supplied and participants will have the opportunity to share their writing.

Guest Michael Turner is a Vancouver-based author of fiction, criticism and song. His books include Hard Core Logo, The Pornographer’s Poem and most recently 8×10. He blogs at this address: https://mtwebsit.blogspot.com/

Thanks to David Cooper and Heart of the City for the photo shoot!

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The StoryBox Chapbook

designed by participant Bakir Junaideen

The Thursdays Writing Collective has created a fourth anthology titled, “StoryBox.” We are launching it with an evening of readings on Thursday, July 15, 2010 at 8pm at the Brickhouse at 730 Main St (at Prior) in Vancouver. Admission is free or by donation.

In  StoryBox participants evoke the objects and concepts they consider imperative for life in some way: a lottery ticket, eye glasses or music sheets. The writers also transcend the notion and write about their concerns, ranging from veganism to disabilities. Each piece is a personal exploration yet synchronicity and coincidence reside in the pages. We thank  UrbanInk and the City of Vancouver’s Great Beginnings Initiative for funding, and  SFU’s Writer’s Studio and the Carnegie Centre for support.

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The Vancouver Storytelling Festival takes place June 12-13, 2010 in the Dr. Sun Yat-Sen Classical Chinese Garden, 578 Carrall St. On Sunday June 13, members of the Thursdays Writing Collective and other participants in the StoryBox Project will perform.

The bamboo grove in the public park adjacent to the Garden will be woven with red yarn. Referring to the through-line narrative of a story (often called a red thread) and also an homage to indigenous weaving techniques, this visually compelling listening space will be filled with the StoryBox storytellers. A new element of this year’s Festival is the documentation process. First Nations elders with experience in documentation will mentor youth who are interested in photographic and film technologies as well as indigenous witnessing practices and protocols. Stories told during the festival will then be given a tangible form and thus remain an accessible legacy for years to come.

Tickets Friday & Saturday evenings: $18/person or $15/person for Garden or VSOS members Saturday Daytime: $15/person flat rate The Longest Days (Storytelling Workshop with Allison Cox): $25/person A Chinatown Wander with living legend Larry Wong: tours leave 11am, 2:30pm, 4pm: $10/person Sunday Daytime: Free Weekend pass for children: $5/person (15 yrs and younger)

In Person 578 Carrall Street (at the Dr. Sun Yat-Sen Classical Chinese Garden)

By Phone 604-662-3207 (x 0).

At the heart of the City’s Great Beginnings Initiative is the desire to explore its roots and listen to the stories of each of its founding neighbourhoods. The StoryBox is a partnership between the VSOS and urban ink, a non-profit organization that develops and produces aboriginal and culturally diverse works of theatre, writing and film.

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The StoryBox Project

This spring we are participating in the StoryBox Project, which unites writing groups throughout the Lower Mainland of Vancouver. Each group creates a themed box of some sort, which we fill with physical objects related to the theme and pieces of creative writing related to the objects.

The Thursdays Writing Collective chose to work with a carpenter’s toolbox our apprentice Anne Hopkinson found in an abandoned house. We decided to create a “toolbox for living,” and contribute small objects or representations of objects that speak to what we each consider necessary for life.

If the item is large, such as a piano, we could include a toy piano or picture of one. Then we will tuck the piece of writing sparked by the notion of piano- whatever that may be- into the box with it.

Participants are invited to two salons – for participants only – at Storyeum at 151 Cordova (across from the W Building, not the Water St entrance!), the first on Friday, May 7, 5:30-9pm, (snacks provided) and the second, longer one on Saturday, May 8, 9:30-4pm, (lunch provided). These salons are our opportunity to present the box to the other groups and hear about their creations. The idea is that these exchanges will spark further ideas about narrative and theme.

Then we’ll swap boxes temporarily with another group and bring their creation back to our class to write “off” their objects and pieces. After that, fifteen participants from the entire StoryBox Project will self-select to push their stories further in more rigorous workshops with the goal of reading or performing their work at the Vancouver Storytelling Festival in June.

We are lucky to be working with storyteller Naomi Steinberg as our facilitator. The project is directed by the wonderful people at UrbanInk and is part of the City of Vancouver’s Great Beginnings Initiative. Thanks to these organizations and people for igniting creativity!

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